The Tony Awards have officially gone from tedious virtue-signaling to full-on vaudeville mockery. Cole Escola—an actor who insists he’s “nonbinary” (read: a man who enjoys crossdressing and making a mockery of femininity)—has been handed the prize for Best Actor in a Play.
And how did he accept this grand achievement? By strutting on stage in a frilly gown with his chest hair sprouting proudly.
We’re told this is “historic”—the first nonbinary actor to win a Tony in a lead role. Spare me. Historic in the same sense that a circus sideshow is “historic” for being the first time a bearded lady ate fire while juggling knives.
The whole routine is nothing more than a parody of womanhood, propped up by effeminate men and cultural influencers who clap like trained seals whenever someone waves the banner of identity politics.
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And let’s not pretend this is bravery. Bravery is storming the beaches of Normandy. Bravery is standing for truth in a hostile world. This? This is dressing up in a ball gown, putting on a condescending act, and soaking in applause from the same crowd that thinks handing out trophies for sexual anarchy is somehow advancing the arts.
Real theater and artistry have been hijacked by a blood-splattered rainbow brigade of activists who use the stage not to tell timeless stories, but to spit in the face of God’s design. What we watched wasn’t the triumph of talent. It was a clown show, a cultural celebration of delusion parading as progress.
And make no mistake—this isn’t harmless entertainment. It’s indoctrination. Every award, every headline, every standing ovation is meant to hammer into your head that mockery of creation is art, that rebellion against God is beautiful, and that if you don’t clap along, you’re the problem.
But reality doesn’t bend to delusion, no matter how many trophies they hand out. Escola can win every award in New York, and it won’t change the truth. God made them male and female. Period.






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