Christianity Today has truly outdone itself by stringing together the so-called “epic trifecta” of Greta Gerwig’s Barbie, Beyoncé’s Renaissance Tour, and Taylor Swift’s Eras Tour into a fanciful tale of cultural enlightenment. If we are to believe this narrative, these pop culture phenomenons are not just grand entertainments but profound spiritual experiences that open up dialogues about female angst and communal meaning. It’s a thesis that’s more fitting for a teen magazine than a serious Christian publication, as it suggests in an article it recently published that the likes of Barbie and Swift are leading a “seismic shift for women” and bridging the gap between the Church and the world.
The insidious creep of cultural Marxism, feminist ideologies, and intersectionality into the very core of Christian dialogue cannot be ignored. When a publication like Christianity Today produces an article equating the likes of Barbie, Beyoncé, and Taylor Swift with meaningful theological discourse, we have reached a zenith of absurdity. To say that this approach is incompatible with a biblical Christian worldview would be an understatement.
Let’s unravel the nonsense.
The original article discusses an “epic trifecta” of pop culture sensations, championing them as symbols of feminine power and communal meaning. Yet, at its core, the piece is steeped in an ideology that places a premium on feelings, experiences, and worldly trends that are more aligned with Marxist and feminist principles than anything remotely Christian. It twists the biblical understanding of womanhood, community, and worship to fit into a narrative that’s politically charged and panders to a feminized culture. In fact, the author of this piece, Beth Felker Jones, throws her own 18-year-old son under the bus, claiming that he “doesn’t seem put off by the feminine in these events.”
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“He’s not losing sleep over the purported feminization of the culture or the accusation that Barbie is demeaning of men” she wrote. “He’s never even heard of the supposed feminization of the church, nor do I think he’s ever considered the idea that such a thing might be a threat to him.”
“I liked how the Kens were metaphors for women in the real world,” Jones claims her son said.
It’s bad enough that the young men in the church aren’t being properly trained to discern good from evil, and are unable to see the threats of false teachings taking over the church at an alarming rate. But the idea that Barbie, an iconic plastic doll, and pop stars like Swift can be heralded for their “theological themes” is so ludicrous that it’s almost laughable. To inject these figures with existential or spiritual meaning is not only naïve but dangerously ill-conceived. It represents a complete abandonment of biblical principles in favor of worldly values that align with left-leaning vain philosophies.
The thesis of the article espouses a worldview that sees entertainment and consumerism as platforms for empowerment, community, and even spiritual growth—the epitome of what Paul meant in Romans 1, “they became futile in their thinking.” It also falls in line with feminist and Marxist standpoint theories that emphasize individual autonomy and subjective experiences, often at the expense of absolute truths and moral standards.
In the article at Christianity Today, one preposterous line stands out:
“Barbie is full of theological themes, and, while I wouldn’t presume to know her faith, Swift has expressed public frustration with ways American Christianity has been attached to partisan politics.”
Really? A plastic doll with theological themes? Pop stars as the arbiters of American Christianity? If we’ve reached the point where we’re taking spiritual cues from toys and child celebrities, we’ve indeed lost our way.
The Church is called to be set apart, not dragged into pagan cultural trends. We are not of this world, and our beliefs, values, and practices should reflect that. We are called to stand firm in our faith, to be unwavering in our commitment to the truth of the Gospel. The flirtation with worldly philosophies and the appropriation of secular culture as something spiritually meaningful is not just foolish—it’s a betrayal of the very essence of our mission.
Jesus called us out of the world. He commanded us to be a light to the nations, not to be a reflection of the worldly trends around us. If Barbie and pop stars are now the standard-bearers for theological insights, then we are indeed playing a fool’s game. We need more godly men to preach the Word and boldly reject and denounce this seemingly never-ending stream of nonsense that distracts us from the truth. The Church is not a playground for cultural experimentation—it’s the body of Christ, called to holiness and obedience to God’s sovereign will. Anything less is a tragic compromise.